collect.give

Add to your photography collection and donate to a charity at the same time. That is the concept behind Collect.Give. With prints at about $40, this is a steal. Perfect for gifts or for yourself. In many ways, this is a more down to earth version of Jen Bekman's 20x200. Since they began in December 2009 they have raised over $10,000 for charities.

Image above by Kerry Mansfield and is still available for purchase here.

my sunday local artist ramble

image by Stephen Shore

Across the river and through the woods is a wondrous place called Bard College. Within the realm of Bard's campus some of the art world's most talented educators reside. One of them is one of the most iconic names in contemporary photography (at least in my world)- Stephen Shore. He has been the head of Bard's photography program since the early 1980's.

Since I was in high school, photographs depicting the cultural American landscape was something that intrigued me and Stephen Shore's work was very much a part of that genre. His unfiltered, comical, and poetic look at the 20th century landscape represented everything that i understood about the world. The most visible landscape photographic work, to me as a young person, was Ansel Adams...and his landscape pictures are lovely and in some circumstances they are even breathtaking- but they were not from the world I saw in front of me. I believed that there were more metaphorical layers to the landscape than I was seeing in the art historical context- and it was not until i was exposed to contemporary work like Shore- Owens- Sternfeld-Klett etc... that landscape photography truly began speak to me.

Shore has a really interesting history. He started making pictures so young and found an audience for them very quickly. As a young person he hung out with Warhol and took many images of that scene (see below). There are several beautiful portraits in this series but my favorites are the environmental portraits which show the factory in all its glory.

Stephen Shore

Warhol with 'Silver Clouds' in Factory
1965-1967
Black and white photograph
19 x 12 3/4 inches
edition of 8

all content copyright 303 Gallery, New York, 2010

Stephen Shore's book Uncommon Places is in my opinion one of the most important photo book ever created. Mostly because it gave the next generation of artists the ok to creatively explore our society's cliches, contradictions, weirdness, sprawl and all the ugly that oozes to the surface of our landscape. It is not going to produce a perfect Ansel Adams- but it will create a new kind of beautiful. One that comes only with individual perspective and freedom. One that exists to explore instead of simply satisfy. Shore is like the Dean Moriarty of the art world- on the bus and ready to go.

image by Stephen Shore

303 Gallery represents his work which you can see more of here.

for love or money or both?

painting by Carmen Herrera

Never have I considered the possibility of being able to make a living from my art. Truth be told, I still can not grasp that idea. People who are able to do that are amazing to me- or they have big trust funds- either/or, it seems far from my reach. Despite these feelings, I have been contemplating ways to make it happen for myself. I know that I am in love with what I do- and have been since I was 14 years old- and yet the concept of having a career as an artist is overwhelming to me. I know that in order to attempt it, you have to put yourself out in the world in the most vulnerable way possible. Sure, I am as stubborn as it gets but rejection is scary. And maybe that is just it- making a living in the arts but not through my art is safe. I get to be around what I love but I do not have to risk so much in order to do it.

Being part of the NYFA MARK program I am starting to learn about different strategies to succeeding as an artist. First, of course, you have to determine what success is for you. Harder question than you might realize. I ask myself it and I come up with a different answer every time. So many definitions of success run through my head: Being happy-supporting myself-getting gallery representation-exhibiting often-having a lot of studio time-etc....

I found out about the amazing story of Carmen Herrera through the reading material given to me through this program. She is one of those rare examples of someone whose passion for art finally paid off with "success". Not until she was in her 90's were her paintings "discovered" by the art world. Because the art world often focuses on the trends rather than art as a whole- her work did not find its relevance until recently (you can see one of her images above). She was supported by her husband for most of her life and was able to be a studio artist because as she put it, "she had to".

This story is almost too romantic for my taste, but i am inspired. Mostly, I am happy for Carmen who deserves to be recognized in this way.

You can view the NY Times picture slide show here.